Elizabeth Catlett was born in Washington, DC on April 15, 1915. In Sharecropper, initially a black-and-white linoleum cut of the early 1950s (some early proofs also include experiments with color)...Sharecropper 1952 (published 1968-70). Elizabeth Catlett Mexican, born United States. Catlett drew on the formal vocabularies of Cubism and Mexican muralism in works that engage social-justice issues.Elizabeth Catlett, Sharecropper, 1952, gift of the 2011 American Art Acquisitions Group. Catlett, who is the granddaughter of slaves and just celebrated her 96th birthday in April...Sharecropper was made in 1952 in Mexico, when Catlett was working with the Taller de Gráfica Popular, a liberal art-making "New Acquisition: Elizabeth Catlett, Sharecropper | Unframed".#portraitchallenge: elizabeth catlett's 'sharecropper' 1952. Aug. 3rd, 2017 at 3:05 PM. jabberworks. Click here for the original linocut portrait by Elizabeth Catlett. I quite like the starker look of it before I...
Elizabeth Catlett | Sharecropper | The Metropolitan Museum of Art
Elizabeth Catlett's Sharecropper, possibly her most famous work, was made in Mexico, where she moved in 1946 to work at the Taller de Gráfica Popular (People's Graphic Arts Workshop).Find the latest shows, biography, and artworks for sale by Elizabeth Catlett. "I have always wanted my art to service my people—to reflect us, to relate to u…Sharecropper. Elizabeth Catlett (American, 1915-2012), Sharecropper, 1952 (printed 1968-70), color linocut.Elizabeth Catlett has said that the purpose of her art is to "present black people in their beauty and dignity Sharecropper evokes Catlett's belief in the strength and dignity of the working poor, while it...
New Acquisition: Elizabeth Catlett, Sharecropper | Unframed The...
View Sharecropper By Elizabeth Catlett; Color linoleum cut on wove paper; 17 5/8 x 16 1/2 in; Signed; Edition. Access more artwork lots and estimated & realized auction prices on MutualArt.Sharecropper , Elizabeth Catlett, 1952 Elizabeth Catlett was a sculptor and graphic artist whose work sought to improve the lives of African Americans and Mexican Americans(1) .This 450 x 431 mm...One of Elizabeth Catlett's most famous pieces is Sharecropper. The piece was created in 1952, but printed in 1968. The print is colorcut linocut on Japanese cream paper that depicts an African...Art © Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS), NY. In her celebrated linoleum cut, Sharecropper, Catlett portrays an anonymous woman enmeshed in an...Start studying Elizabeth Catlett. Learn vocabulary, terms and more with flashcards This piece is very similar in composition to Catlett's famed portrait of an African-American, female sharecropper, which...
Sharecropper
Date:
1952, revealed 1970
Artist:
Elizabeth CatlettAmerican, lively in Mexico, 1915-2012
About this artwork
Elizabeth Catlett's Sharecropper, in all probability her most renowned paintings, was made in Mexico, the place she moved in 1946 to paintings at the Taller de Gráfica Popular (People's Graphic Arts Workshop). She used to be influenced by the spirit of activism on the workshop, which impressed her to supply images of the hardships continued by means of African American ladies, in addition to the accomplishments of figures similar to Sojourner Truth and Harriet Tubman. Sharecropper, like many of her other works, presentations Catlett's activism on behalf of African American women in the South, who she believed maintained their dignity within the face of serious adversity.
Currently Off View Prints and Drawings Elizabeth Catlett Sharecropper United States 1952 Color linocut on cream Japanese paper Signed recto, decrease right: "Elizabeth Catlett"; inscribed recto, lower left: "A/P Sharecropper" 450 × 431 mm (symbol); 557 × 515 mm (sheet) Purchased with finances supplied via Mr. and Mrs. Robert S. Hartman 1992.182 © 2019 Catlett Mora Family Trust / Licensed by way of VAGA at Artists Rights Society (ARS), NYExtended details about this art work
Publication History Andrea D. Barnwell and Kirsten P. Buick, "A Portfolio of Works by African American Artists Continuing the Dialogue: A Work in Progress," The Art Institute of Chicago Museum Studies 24:2 (1999), p. 185.Martin Fox, "Portfolio," The Art Institute of Chicago Museum Studies 24: 2 (1999), pp. 206-208, no. 18. Exhibition History The Art Institute of Chicago, January 24-July 10, 1994. The Art Institute of Chicago, "Since the Harlem Renaissance: Sixty Years of African American Art," May 18-August 25, 1996.The Art Institute of Chicago, "In Their Own Right: Images of African Americans from The Art Institute of Chicago," September 27, 1997-January 11, 1998.The Art Institute of Chicago, "A Century of Collecting: African American Art In The Art Institute of Chicago," February-May 2003.The Art Institute of Chicago, "Collecting for Chicago: Prints, Drawings, and Patronage," June 14-September 14, 2008. ProvenanceSold by way of Sragow Gallery to the Art Institute, 1992
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